Installation view at Trust Trust, Lübeck, 2025. Close-up detail of wooden structural elements and black audio equipment during the installation setup at Trust Trust, Lübeck, 2025. Wide gallery view showing the complete wooden framework installation with natural light from skylights illuminating the minimalist white space at Trust Trust, Lübeck, 2025. Visitors engaging with the installation, examining the wooden structure and audio equipment in the gallery at Trust Trust, Lübeck, 2025. Detail of the wooden framework construction showing the artist's technical approach and spatial design at Trust Trust, Lübeck, 2025. Installation view at Trust Trust, Lübeck, 2025. Installation view at Trust Trust, Lübeck, 2025. Installation view at Trust Trust, Lübeck, 2025.

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Trust Trust (LULU THE TOOL), Performance as part of Asta Lynge’s Capacity, Overbeck-Gesellschaft, Lübeck, 2025

“Your feet do change depending on repertoire, holidays, workload, strength … sometimes I think our feet actually look worse than what they feel, a lot of people can be quite horrified and think they look tortured. It’s sort of like someone who works with their hands, you know the joints become a bit bigger cause they’ve been overused and the skin gets calloused but they’re doing a job and they’re adapting to that job. Even though it’s a lot of agony on the feet, a lot of long hard days, it is worth it, just doing something that you love to do. There’s a saying that an older dancer said to me when I was really young and always remember, she said always dance with your heart and your feet will follow.”

Excerpt from Trust, EARF Pamphlet.

In his performance Trust Trust, Adam Gallagher and LULU THE TOOL reinterpreted Asta Lynge’s work Audience (2025), transforming it into a provisional public address system.